Los Angeles-based director Ivan Olita decided to realize Muxes after attending a seminar conducted by Werner Herzog, the German screenwriter, film director, author, actor, and opera director. During the seminar a short film was shown, about a Muxes parade – the inspiration for Olita to do his documentary. Continue reading
When a thoughtful portraitist uses his skills to take a stand against xenophobia and intolerance, the result is America 2.0, a series by Mark Bennington.
The photographer’s recent work raises social awareness in a way that induces us to think about humanity, about the diversity of the next American generation. Shot in the controlled environment of a studio, the photographs go from an emblematic portrait of a young woman using a flag as a scarf to the joyful archetype of the happy shopper. The subjects are young Muslim adults living in New York City, future professionals, leaders, artists, doctors, neighbors who have to deal with frequent instances of Islamophobia. Mr. Bennington’s subjects contributed to this series by sharing their experiences, thoughts, hopes, needs to have a voice and anxiety about what might lay ahead. Continue reading
Jordi Pizarro titled his current ongoing project Bura Sapna. The words mean nightmare, in Hindi. Looking at his pictures, this could be taken literally. Considering the whole project, it may well be what comes to mind when one tries to identify with what the most disenfranchised Indians go through when needing medical attention.
A Spanish native now based in India, Jordi Pizarro is building a body of work focusing on social and environmental concerns, particularly those affecting remote or isolated rural communities. For Bura Sapna, he also worked on a one-of-a-kind medical facility: the hospital train. Continue reading
Born in 1979, Magnus Wennman started his photojournalist career early. At 17 he was already shooting for Dala-Demokraten, a Swedish newspaper. We are all aware of war in Syria, how the last five years of mayhem have been covered, from fighting to ruins. Wennman’s approach has been different. He concentrated on the most vulnerable: the children. Continue reading
Looking at Susan S. Bank‘s pictures of Cuba is discovering the country’s people. No clichés there. No 1950’s American cars rendered in flashy colors. No sugar cane croppers, no images of beaches and landscapes with the flavor of a tourist brochure. Ms. Bank works in black and white, and rigorously composes her images. We all read about Cartier-Bresson’s leitmotiv “the decisive moment”, which is what most of her pictures exude. Continue reading
Icelandic photographer Ragnar Axelsson knew early in life what he wanted to be. He started his formal training when he was 16 years old, working and learning in a studio of photography.
Two years later he became a staff photographer for Morgunbladid, a major Icelandic newspaper. Axelsson, who also goes by the nickname Rax, still works for the newspaper, having the license to take long trips to shoot documentaries and long-term projects. Continue reading
Alain Kaiser is a French photographer based in Boersch, north-eastern France. An eclectic photographer, with a passion for documentaries, he taught photography at Ecole Supérieure des Arts Décoratifs, in Strasbourg, while conducting workshops for photojournalists in Paris. As President and member of the programming committee, he is also actively involved with Stimultania, a powerhouse not-for-profit organization exhibiting and promoting original photographic works. And he still finds the time, and energy, to shoot the international productions of the Strasbourg National Opera. Over the years Kaiser has created a remarkable body of work by covering the Polisario Front activities, a North-African nationalist organization, whose main goal is the independence of Western Sahara. He traveled there for the first time in 1979, embedding himself with a Polisario commando, Continue reading
Luc Novovitch, was born in Casablanca, Morocco, raised in Switzerland and educated in France. A former news photographer for Reuters, AFP and Gamma agencies, he moved to far West Texas in 1998. The image presented on narratives21 is from the series The Japanese 1980-2005. After more than two decades working as a photojournalist in Europe, Africa and the U.S., Novovitch decided to concentrate anew on documentaries and fine art photography. Continue reading